How brushstrokes can elevate your oil painting.

Nobody in art school ever really showed me the ropes on brushstrokes.

But after countless hours of putting paint on canvas, I’ve picked up some valuable insights into how oil painting brushstrokes can amp up a painting’s appeal. 

Nowadays, it’s almost second nature for me to grab different brushes and throw down a mix of strokes as my artwork takes shape.

Whether you’re a seasoned artist or just starting your creative journey, understanding the techniques behind brushwork can elevate your oil paintings to new heights. 

So I did a thought research on various brush strokes. I also added some famous paintings that utilize these strokes to create masterpieces to show you the big picture of oil painting brushstrokes. 

1. Alla Prima: Capturing the Moment

Alla prima, or “wet-on-wet,” is a technique where layers of wet paint are applied onto previous layers that are still wet. This method is perfect for capturing a moment’s fleeting light and atmosphere. 

Known contemporary American artist Richard Schmid is famous for this alla prima works. His painting always looks poetic and spontaneous with his supreme use of alla prima techniques. 

2. Scumbling: Adding Depth and Mystery

Scumbling is a technique that involves applying a thin, opaque layer of paint over an existing layer. This technique allows the underpainting to show through.

It is perfect for creating soft transitions, ethereal effects, and a sense of depth. 

An iconic example of scumbling can be found in Rembrandt’s “Self-Portrait with Two Circles.” The subtle blending and mysterious play of light on his face are achieved through the scumbling technique, adding depth to the portrait. 

3. Impasto: Creating Texture and Drama

Impasto involves applying thick layers of paint, often with a palette knife or a stiff brush, to create textured surfaces that stand out from the canvas. 

Vincent van Gogh was a master of this technique, as seen in his iconic work, “Wheat Field with Cypresses”, the impasto technique is used to give depth and three-dimensionality to the cypress trees, creating a sense of drama and vitality in the painting.

4. Glazing: Achieving Luminosity

Glazing involves layering translucent colors over a dry base layer to achieve luminous and vibrant effects. 

In “The Birth of Venus” by Sandro Botticelli, glazing is employed to create a captivating sense of luminosity and ethereal beauty. This iconic Renaissance masterpiece depicts the goddess Venus emerging from the sea. 

Botticelli’s use of glazes allowed him to achieve the soft, radiant skin tones of Venus and the graceful, flowing quality of her hair and drapery. The translucent layers of glaze create a luminous and otherworldly quality that enhances the divine nature of the subject and the dreamlike atmosphere of the painting. 

This painting exemplifies the skill and mastery of the Renaissance artists in achieving a sense of timeless beauty and perfection in their works.

In another post, I will explain how to use the glazing technique.

5. Dry Brush: Adding Texture and Detail

The dry brush technique uses minimal paint on a nearly dry brush, allowing the texture of the canvas to show through. This technique is perfect for adding fine details and textures. 

In “The Fighting Temeraire” by J.M.W. Turner, the dry brush technique enhances the details of the ship’s rigging and the play of light on the water.

6. Sgraffito: Revealing Hidden Layers

The term sgraffito comes from the Italian word sgraffito which literally means “to scratch.” 

This technique involves scratching through a layer of still-wet paint to reveal what’s underneath, whether this is a dried layer of paint or white canvas/paper. It’s particularly useful in impasto paintings, providing another level of texture as well as contrasting colors.

to read more about this technique click here:

In “Composition VII” by Wassily Kandinsky, you can see how he used sgraffito to create intricate patterns and reveal hidden layers of color, adding depth and complexity to his abstract masterpiece.

Brush strokes are not merely technical aspects of painting; they are the language through which artists communicate their emotions and visions. 

Remember, every stroke of the brush tells a story, and as you practice and experiment with different techniques, you’ll discover your unique voice as an artist. 

Until next time, keep painting and exploring the world of oil painting brush strokes. Who knows what masterpieces you might create along the way? 

to learn more about oil painting, check out this post: https://yingmclane.com/three-rules-in-the-art-of-oil-painting/

 Leave a comment below if you find this post helpful! 

The post Mastering the Art of Oil Painting Brush Strokes appeared first on Ying McLane.

The general rule is– the position of the sun in relationship with the clouds determines where the light and dark parts of the shadows are.  

In most cases, the sun will be above the clouds. 

So Imagine holding a cotton ball under a light. You want to paint three parts of this cotton ball:

1: the top part where the sunlight hits the cotton ball. It’s the lightest part of the ball. 

2: the middle part, the main body of the cotton ball.  It will be a middle tone.

3: the bottom part of the ball, where it is the darkest. 

If you paint a sunset, as I did in this painting of Fort Myers Pier in Florida,  the sunlight will hit the middle or lower part of the clouds. So the lower parts of the clouds will appear light in color, and the upper parts will be darker in color. You can also add some thin lines of bright color around the lower edges to show where the sunlight hit the clouds.

Remember: you are painting big shapes and values. Don’t try to paint every little detail you see. Or it will take away the overall feeling or mood you are trying to express in your painting.  

Happy painting!  

To learn more about the background of this painting, go to https://yingmclane.com/our-hurricane-ian-story-part-one/

Here is another good article about painting clouds: https://drawpaintacademy.com/clouds/#light-and-color

The post How to Paint Clouds appeared first on Ying McLane.