I paint a lot and I have many paintbrushes that have been with me for over 5 years! 

So I will show you how to properly clean and preserve your brushes as well as an introduction to paintbrushes. 

Here is a simple guide to different paintbrushes:

The Different Brush Shapes

The world of artist’s brushes is incredibly diverse. Brushes come in a multitude of shapes, sizes, and materials, each with its unique characteristics and applications. Here are just a few examples of the most commonly used artist paintbrushes:

• Round Brushes: These versatile brushes are a staple for artists. Their fine point is perfect for precise details, making them essential for intricate work like portraiture.
  
  
  
• Bright Brushes: Known for their broad, flat bristles, these brushes are great for creating sharp edges and covering large areas with bold strokes.
  
  
  
• Fan Brushes: I love fan brushes!  I use two types of pan brushes to achieve different effects: the ones that are flat and stiff could be used to quickly paint tree leaves or add small water drops in seascapes.   The second staple of fan brushes I use are soft and fluffy, perfect for blending skin tones and all other areas that need to be smooth and soft looking.
  
  
  
• Filbert Brushes: A hybrid of round and flat brushes, filbert brushes have a rounded tip that allows for both detailed work and broader strokes. It probably is the most versatile of all brushes.
  
  
  

The Brush Materials 

• Synthetic vs. Natural Bristles: Brushes can have either synthetic or natural bristles. Natural bristles, often made from animal hair, are prized for their ability to hold and release paint smoothly. Synthetic brushes are often cheaper, durable, and can be a cruelty-free alternative.

The Brush Sizes 

The size of a brush is determined by its width, with smaller brushes being ideal for intricate work and larger brushes for covering more substantial areas.

The size 0 is the smallest, great for painting hairs and the smallest details. 

The bigger the number is, the bigger the size of the brushes will be. 

I like to use a big Bright shaped brush to lay down the background and the first layer of thin and flat paint. Then progress to smaller brushes as I build up my painting.

Why You Should Avoid Mix Brushes Between Different Mediums

.Here are some key reasons why artists typically do not mix brushes between different mediums:

• Contamination: One of the primary concerns is contamination of the brush and the resulting impact on the artwork. Residue from one medium can remain on the brush even after cleaning, leading to unintended color mixing or undesirable effects when switching to another medium.
• Medium Compatibility: Brushes are designed and manufactured to work optimally with specific mediums. Watercolor brushes, for example, are typically made with soft bristles that hold water and pigment, making them unsuitable for use with thicker mediums like oil paint, which requires stiffer bristles to handle the consistency of oil paint.
• Medium-Specific Effects: Different mediums require brushes with specific characteristics to achieve desired effects. For instance, acrylic brushes often have synthetic bristles designed to withstand the harsh chemicals and fast-drying nature of acrylic paints, while oil brushes have natural bristles that work well with the slow-drying and viscous properties of oil paints
• Longevity and Durability: The compatibility between brushes and mediums also affects the longevity and durability of the brushes. Using a brush with a medium it’s not designed for can lead to premature wear and damage to the brush. And you will not want to ruin your favorite brush because of this reason!
• Artistic Precision: Artists often develop a familiarity and preference for specific brushes for their chosen medium and style. Mixing brushes between different mediums can disrupt this familiarity and make it challenging to achieve the level of precision and control they desire.

My Favorite Paintbrush Brand:

My favorite brands are Princeton, Silver Brush, and Rosemary Co. 

How to Properly Clean Paintbrushes

Properly cleaning brushes is essential to maintain their longevity and ensure they perform well in your artistic endeavors. Here’s a general guide on how to clean brushes effectively:

Materials Needed:

• Water: For water-based paints like watercolors or acrylics, you’ll need water for cleaning.
• Solvent or Paint Thinner: If you use oil-based paints like oil paints or alkyds, you’ll need an appropriate solvent or paint thinner. Common options include mineral spirits or odorless turpentine.
• Container for Cleaning: Use a container, such as a jar or a cleaning basin, to hold the cleaning solution.   I use a stainless steel cleaner with tight seals. There is also a removable trainer cup inside it so the residue from paints will filter to the bottom.  
  
  
  
• Paper Towels or Rags: These are handy for wiping excess paint and solvent from the brushes.

Cleaning Process:

• Remove Excess Paint: Before cleaning, gently wipe excess paint off the brush using a paper towel or rag. This step minimizes the amount of paint that needs to be cleaned in the solvent or water.
• For Water-Based Paints(Acrylics/Watercolors):
  • a. Rinse the brush under running water to remove any remaining paint.
  • b. Swirl the brush in a container of clean water, gently agitating the bristles to release the paint.
  • c. Repeat the process until the water runs clear and there’s no more paint coming off the brush.
  • d. Gently reshape the brush to its original form.
• For Oil-Based Paint
  • Although Oil paints need more elbow grease and steps to clean than acrylics, but with proper care, your brushes will last a very long time! 
  • First, swirl the brush in a container with the appropriate solvent or paint thinner. Use enough solvent to fully immerse the bristles without submerging the ferrule (the metal part that connects the bristles to the handle).
  • Second, Remove the brush and wipe it on a paper towel or rag to remove loosened paint.
  • Repeat the process with clean solvent until the brush is clean.
    
    
    Reshape and Dry: After cleaning, gently reshape the brush to its original form. Lay it flat to dry, ensuring the bristles are not bent or misshapen. Avoid leaving brushes standing in water or solvent, as this can damage the bristles and the handle.

Additional Tips:

• Avoid using excessive force or harsh chemicals to clean brushes, as this can damage the bristles over time.
• Cleaning your brushes immediately after use can make the process easier and more effective. A couple of times I forgot to clean some of my favorite brushes and left them in my studio overnight, ended up ruining them because they were made of delicate natural animal hair.  I hope you don’t repeat my mistakes.
• If you have neglected brushes with dried paint, you may need to soak them in the appropriate solvent or use a brush restorer product to revive them. Follow the manufacturer’s instructions for these products.

Proper brush care and cleaning are essential habits for any artist. By following these steps, you can help ensure your brushes remain in good condition for many years to come!

Let me know if this post is helpful and happy painting!

The post All about paintbrushes and the best way to clean brushes appeared first on Ying McLane.

Want an example? Check out a design principle called the “Golden Ratio”. Also known as the Golden Section, Golden Mean, Divine Proportion or Greek letter Phi.  

It is a ratio between two numbers that equals approximately 1.618. Usually written as the Greek letter phi, it is strongly associated with the Fibonacci sequence, a series of numbers wherein each number is added to the last.  To simply put, The Golden Ratio can be written as a mathematical equation of A ÷ B = (A + B) ÷ A = 1.61803398875. In a short form ratio, it is 1:1.618.

If used in design, the golden ratio can be expressed as when a line is divided into two parts and the longer part (a) divided by the smaller part (b) is equal to the sum of (a) + (b) divided by (a), which both equal 1.618.

Before you start running away thinking that you clicked opened a post about math by accident, check this image out–this is a shell I collected on the beach. It shows the perfect golden rule design by nature. 

And how does this golden rule apply to art?  A lot.  

Golden rule has been used by artists and architects throughout the centuries: from the Pyramids in Giza to the Parthenon in Athens; from Michelangelo’s The Creation of Adam on the ceiling of the Sistine Chapel to Da Vinci’s Mona Lisa; and many contemporary artists too.  You must have seen this famous painting before: 

Piet Mondrian, Compositions in Red, Blue, and Yellow, 1930 

Piet Mondrian basically used a golden rectangle to design this painting.

In a golden rectangle, the side lengths are in golden ratio. If you take away that square on the left, another rectangle will remain which is also in golden ratio. You can make this design indefinitely.  

And when you spiral a line through the golden rectangle,  you will get the Golden Spiral effect, just like the shell I just showed you.

What is The Rule of Thirds?

You probably heard about The Rule of Thirds in painting and photographing. So what is the relationship between The rule of Thirds and The Golden Ratio?

The rule of thirds is a guideline for both artists and photographers. It says that if you divide your composition into thirds, either vertically or horizontally, and then place focal areas of your scene at the meeting points of them, you will get a more pleasing arrangement and layout for your compositions.

Below is my painting of Sanibel Lighthouse in Sanibel Island, FL. You can see the focal parts of lighthouse, the roof of the house and the edge of the beach landed on the cross section of those lines. 

So what The Rule of Thirds has to do with The Golden Ratio?

The Rule of Thirds is basically a simplification of the Golden Rule. While its ratio doesn’t equate exactly to that of 1:1.618. But it will give you roughly the same desired effect but is very easy to envision and implement compared to the Golden Ratio.

You see, our mind is created to enjoy interesting designs and variation in spaces.  

Our eyes and brains dislike boring, dead in the center designs or a too busy and messy canvas. 

With the guide of golden ratio, you can create variation and blank space that pleases the eye, and guide the eyes to travel though the canvas, so to provide an enjoyable art experience. 

Of course, you don’t have to rigidly follow the rule of third in your composition. But it should be an important tool in your artist arsenal.  

If you found my post is helpful, click the social media button to hare this post. 

Or leave a comment below about your take away from this post! 

Cheering you on!  

Ying

The post How to use Golden Ratio / Rule of Thirds in your art appeared first on Ying McLane.